The screenplay could've been way better, yeah.
But the fluoro mixture of cod Information Age mysticism and romantic binary (pun intended) drivel was pretty much in keeping with the spirit of the original - a kid's film.
I did find myself wishing a couple of times that it had been this wonderfully subtle existentialist maze of dead ends with a partial, complicated emotional payoff a la Antonioni, but a quick shake of the head cleared that up.
The setup with "Clue" wasn't too bad.
Klaus: yeah, fair enough. The fact he was being a lame Bowie I sort of enjoyed. Bowie being lame Bowie is sometimes a bit excruciating? I hate Labyrinth anyway.