"On a viewpoint that I just don't find that interesting."
Yes, but it sort of casts about for the better ones, the right ones, in a way that other shows didn't bother to.
For example Breaking Bad was a terrible failure on that front, the final season felt quite pointless, came a season late and totally missed the right notes of conflict.
I think we've discussed this before, but the economics of the format defeat the art of it—the shows of the highest quality all end up running a season or more too long, and with the best grace in the world, there are basically no worthwhile stories that genuinely need fifty hours to tell. In trying to make these shows, they're very much trying to do something that's more or less impossible, and we're congratulating them on how well they're failing. That's why you always hear the critical praise activating these tones of vastness—scale, grandeur, depth, complexity, epic, landscape etc—because vastness is all they have to offer.