Well you've picked out quite a few films there I think are overrated, Klaus.
I think Scarface is worth dusting off every now and then because De Palma was actually doing something with it in terms of excess, exile, difference and violence, talking about America. With the exception of Blade Runner, which your opinion about is silly even though I don't think it's the greatest film of all time, the rest of that list leaves me a bit cold.
Scorsese just isn't that amazing. Watching The Departed I was really struck by how inferior Leo DiCaprio's performance as Billy Costigan is to Tony Leung's in Infernal Affairs. You don't have at all the same sense of anxiety. The film is full of flat shots and flat performances. The fact I dislike Matt Damon doesn't help much either, but you've got to blame Scorsese for his dreary, liberal east coast chauvinist vision of America.
I disagree with your "guy movie" thesis though, as I think there's huge numbers of guy-centric, guy-focused films that are fucking great. It's more that the critical system surrounding the film economy that makes people (usually men) claim that films (usually guy films) that are not that great are masterpieces is a bit fucked.
I think I've mentioned the All Units "anatomy of a thriller" podcast here before, but the picks Sean McTiernan comes up with on that tend to be terrific.
I've been working my way through some of these, and I'd go into bat for most of the ones I've seen:
https://letterboxd.com/murdermurder/list/all-units/